Until the lion has his historian, the hunter will always be the hero.
This proverb exists in different forms in many parts of Africa
"Until lions have their own historians, tales of the hunt shall always glorify the hunter" (Igbo, Nigeria).
"Until lions start writing down their own stories, the hunters will always be the heroes" (Kenya and Zimbabwe).
Black/African history has always being taught/told from the perspective of White American/European colonisers. We need to reclaim our history and culture. No more white African Queens, Kings and Gods, there needs to be a true representation of African history and culture in the media.
Intersectionality theorists also make clear … distinctions between oppression and difference. For them, not all differences are axes of structural social oppression. For example, both intersectionality theorists and poststructuralists speak of “marginalized” peoples. Yet the former [intersectional theorists] anchor this concept in hierarchically structured, group-based inequalities, while poststructuralists often are referring to people whose behaviors lie outside of or transgress social norms. This latter conception of “margins” includes a much broader swath of people where the normative structure rather than structural relations of oppression is determinate.
Indeed, not all countercultural lifestyles and politics reflect the historical, institutionalized oppressions highlighted by intersectionality theorists; even groups such as the Michigan militia or the Ku Klux Klan are marginalized groups in terms of transgressing norms. This is why Collins argues that, when scholars took the postmodern turn, “conceptions of power shifted—talk of tops and bottoms, long associated with
hierarchy, were recast as flattened geographies of centers and margins” that “rob the term of oppression of its critical and oppositional importance” (Collins 1998, 129 and 136). Similarly, Kimberlé Crenshaw suggests that such “flattening” of intersectionality results from the absence of a structural and political critique (quoted in Berger and Guidroz 2009, 70).
fleur delacour is so important i can’t even put it into words
badass girl whose “most precious” was her sister, who despite what anyone might think of her (cough molly cough ron cough hermione cough) looks past any aesthetic unpleasantries because she is completely and irrevocably in love with bill, who willingly risks her life for harry (the seven harrys, anyone???), who manages to create a spot of brightness in the middle of war (wedding!!!), who is feminine and badass at the same time, who opens her home to an entitled goblin and multiple refugees/runaways, who doesn’t sacrifice one bit of her integrity or character despite the looming threat of war